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Tuesday, December 27, 2011
Further details about Marketing YOUniverse
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Sunday, September 25, 2011
The Ever Evolving Facebook
Here's a screenshot of the Facebook Timeline...note the years along the side! |
It’s amazing to see how much social media has integrated into our lives, no? I’m definitely curious to see how marketing companies are going to take advantage of this change in the future!
Timeline is scheduled for release on September 30th for everyone. There IS a method of getting it now (for all you impatient ones, here's a guide), but for me, I think I’ll wait for Facebook to roll it out for me. So what do you guys think? Facebook's best invention yet, or not?
Wednesday, September 7, 2011
SAMMA Summit 2011
- Ann Mukherjee, Chief Marketing Officer, Frito Lay, deemed Woman to Watch on the Future of Marketing by Advertising Age
- Naveen Selvadurai, co-founder, Foursquare
- Sanjay Gupta, Chief Medical Correspondent, CNN, Emmy ® Award winner
- Floyd Cardoz, restauranteur, chef and winner of Bravo Top Chef Masters 2011
- Rishad Tobaccowala, Chief Strategy and Innovation Officer, Vivaki/Publicis
Sunday, September 4, 2011
Art & Copy – A Must Watch for Marketers
Let me be the first to say: for those of you who have neither the desire to work in advertising nor interest in the industry, but are interested in studying and pursuing a career in marketing – you need to watch this film, and I’ll get to “why” later on.

WHY do I think that all marketers should watch this film and not just those looking into advertising? Because you work as a brand manager at P&G or as a marketing associate at Pepsi, you will likely have some sort of interaction with your company’s AOR (agency of record) and a hands-on role in the advertising of your product or service. Having spent a summer working in an agency doesn’t make me entirely unbiased, but more often than not, “bad” advertising is the result of a poor client-agency relationship. Plain and simple. A lack of trust, a lack of creative freedom, and poor brand and product strategy will translate into mediocre, craptastic work. (If you disagree, I look forward to your comments below.)
Now, I’m not saying that agencies are completely innocent, there are always a few stinkers – however hilariously terrible they may be. I believe it truly is the client that makes the difference. Something to think about: an agency can create an award-winning campaign, but at the same time produce a terrible failure. It is the client that has the last say as to which idea is chosen, and it is not always the one the agency deems the best.
With that said, all I want you marketers to take away from this is how to approach working with agencies in the future. They may not be the easiest people to deal with, but their job is to be creative, to come up with different ideas and to challenge mental constructions and customer perceptions. Give them the freedom to challenge what has been done, and I think you’ll be pleasantly surprised.
A note about the film: A DVD is available to buy, but if you’re an avid torrenter like myself, it is incredibly easy to find.
About the author: Deven Dionisi
Deven is a 3rd year student, looking to specialize in marketing and strategic management and hopes to run his own agency in the future (or assume leadership of an existing agency – he isn’t too picky). Going on exchange this coming winter in Milan, Deven is looking forward to traveling around Europe and attending the 2012 Summer Olympics in London.
Sunday, August 28, 2011
Blogosphere: Friend or Foe?
Bryan Grey-Yambao (bryanboy.com), Tommy Tom (jakandjil.com), Garance DorĂ© (garancedore.fr), and Scott Schuman (thesartorialist.com) sit front row at D&G’s Spring/Summer 2012 show equipped with laptops provided by the company.
Manila teen writes blog. Fashion industry takes notice. Gets a Marc Jacobs bag named after him, rubs elbows with fashion industry’s elite, and bags six-figure income in ad revenue.
This may sound far-fetched, but for Bryan Grey-Yambao, better known as Bryanboy, this modern-day fairy tale is the life that has been forged upon him by his popular fashion blog. Now a front-row fixture at fashion week and a good friend of Marc Jacobs himself, Bryanboy attests to the essential role that blogging plays in modern-day communications, entertainment, media, and marketing.

Given their rise in status from merely a form of personal expression to a respected and highly-embraced means of social media, blogs are surely here to stay. However, for the publishing industry which churns out the newspapers, magazines, and trade journals of which blogs are robbing their readers’ time and interest, this has raised concern of late. In an era where yesterday’s news has become like last year’s, blogs offer the instantaneous sharing of ideas which tangible publications cannot. For example, monthly magazines typically begin to materialize 2-4 months before the publication date, highlighting their emphasis on seasonal content, industry trends/issues, and general interest pieces, rather than of-the-minute news which blogs may offer. For personal lifestyle/interest, photo, and video blogs, the instant gratification of having a responsive online community of fellow bloggers acknowledge your talents and opinions is a further testament to blogs’ mounting appeal and staying power.
Personally, I do not think that blogs are a substitute to published material, but rather, they fill a void. Looking around my own room at stacks of unread magazines that I subscribe to and then at the list of my most visited websites, it is clear how my own appetite for fashion and business news is no longer satisfied by glossy pages primarily. Still, I do believe that the quality of content in a magazine is unrivalled by that of any blog, and for that, I will continue to open my mailbox to the bold masthead of the magazines I love. But hey, to each their own. This is a blog post after all.
About the author: Jessica Young
Sunday, August 21, 2011
Forget TV shows; let’s think TV franchises
A problem arises when TV loyalists are empowered to watch their shows outside of the critical primetime premier slots that advertisers pursue for major commercials. For me, my commercial-skipping TIVO does just that. PVRs, Netflix, Apple TV and online pirating have transformed television into an on-demand service. As a result, measurable TV audiences have seen significant declines in recent years. Networks are forced to juggle declines in advertising revenues and audiences who demand high-quality, high-cost shows in exchange for their viewership. Smart television studios know they have to look beyond the small screen if they’re going to successfully mitigate the pitfalls of the $700 billion US television advertising.
Cue the television franchise. I’m not talking about highly successful sitcoms like Friends or Entourage. I’m talking about shows that offer the potential for endless merchandise, sponsorship and licensing deals - a marketer’s dream. Disney’s been pumping these out for years, such as the Hannah Montana franchise which the NY Times estimates drove $1 billion in retail sales in 2008.
Fox’s Glee is the most recent wonder to take the industry by storm. Forget that the musical television comedy has won 4 Emmys, 4 Golden Globes and has drawn 10 million+ viewers ever Tuesday night for the last two years. Glee has sold 21 million digital singles and 9 million albums. It has sponsorship agreements with Chevrolet and exclusive retail partnerships with Macy’s and Claire’s. It spurred 2 international concert tours, a 3D concert movie and unleashed countless brand extensions: clothing lines, video games, nail polish, jewelry, iPod apps, and even Hallmark cards.
Contributing an estimated $500 million to Fox’s top line, Glee has become an indispensible part of the network’s programming. Love it or hate it (and I love it!), the franchise is setting the example for shows old and new. NBC has added Smash, an adult Glee knock-off starring Debra Messing, to its 2012 line-up. Even AMC’s always-classy Mad Men has partnered up with Banana Republic to launch a branded clothing line that’s in stores now.
Going forward, franchises like Glee will not be the exception. The networks realize that they’re no longer producing shows - they’re producing brands. The relished business models of the entertainment industry are being revolutionized by the way we consume media. Hollywood has long understood the value of product placement and merchandising agreements. The music industry is learning from singing super-brands Justin Bieber and Lady Gaga. Inevitably, marketers will play a greater role in the launch of the next big sitcom, movie or superstar.
About the author: Telly Carayannakis
Self-proclaimed Gleek - I've got every Glee album, the Glee Karoake video game and saw the concert tour when they came to Toronto. Going into my 3rd year at Schulich and will be travelling to Paris for an exchange program in January!
Sunday, August 14, 2011
The Not-So-Secret Ingredient to Customer Commitment
About the Writer: Samantha Consiglio
Proudly entering my 2nd year at Schulich and currently working for TD Canada Trust as Customer Service Representative. My inspiration for this post came from my training with TDCT!